![]() The beauty of the Transient Designer is that although it is a dynamic processor somewhat like a compressor, it operates over a very wide input-level range without the need for a threshold control (it dynamically adjusts its own threshold) and has only two controls. Time‑limited demos are available from the SPL web site, so you can try before you buy, providing you have an iLok key. SPL use the term 'Analog Code' to describe the modelling process they use to transfer the characteristics of their analogue processors to the digital world, but they say little about how this is done, other than claiming that it can "achieve results far beyond pure mathematical approaches”.īoth the plug‑ins reviewed here feature the usual dialogues for saving and recalling presets, while four different settings can be created and then switched manually by means of the buttons to the right of the screen, or by means of automation during a mix. ![]() This has already been emulated in software by Universal Audio for their UAD card platform, but SPL now offer their own version that can run on Mac or PC in VST, AU and RTAS formats, or as a Pro Tools HD plug-in. SPL have a reputation for designing quirky but effective tools for audio processing, one of the simplest and most effective being their Transient Designer. Two of SPL's most effective hardware studio tools are now available in native and HD plug‑in formats.
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